![]() if its only to add FX I would see what kind of results you can get without it first. Im excited to talk about both flavors of ourr long-running reamp design, as well as finally making official our Signal Art direct box at long last. I started with a Model D synth and guitar pedals similar to your scenario but I found the reamp wasn't necessary for my particular situation. Some exciting cool news for our ever-popular little problem-solver boxes. While you can skip the reamp box I never liked the results of a line level signal going into my rig. I primarily use the reamp box to send a dry gtr track to my amps for "reamping". This will be more of problem if you like to turn your amp up loud. If I want something pristine I stay in the box but using an analog delay where the tempo is never truly locked gives me a nice addition. Guitar amps are designed to accept a high-impedance input, and plugging in a low-impedance, line-level signal will result in an increase in amp hiss. This can then be used as a standalone sound in your tracks, or can be blended with a recording from an amp as well. While it's TRUE, I am going into those fx with line level I am returning them to inst level on my interface, while doing a trim on the external FX SEND in my daw. RECORDING WEEK 2022: DI boxes are used to record the direct signal from an electric guitar or bass. I do not use a reamp box for that but I also wanted a "different" outside the box flavor. Analog Delay, Chorus, Rockman, pocket POD, also an old pioneer spring reverb that was built for stereos in the 70/80s. I actually have a few pedals hooked in my DAW as external FX. type devices.Basically your looking to change impedance.Ī regular DI will go instrument to mic levelĪ reamp device goes line level to instrument level. I'm sure I'm not the only one who noticed that he only seemed to appear when someone would bring up the subject of homemade ReA. But when he showed up on the other messageboard and started attacking me for expressing an opinion on his circuit and the patentability thereof, including false accusations of endorsing competitor's products, which I never did-well, that left a pretty poor impression on me, and apparently others as well. directly into the amp, particularly in the lower frequencies. Though it seems to do what it claims, there does seem to be a noticeable difference in the tone when routed this way vs. I don't know the guy and have never used his ReA. What is Reamping Reamping in the most common sense is the process of feeding a previously-recorded direct line level signal to a reamp box for re-recording.The reamp box works like a reverse DI box, converting the line level signal to a high impedance (Hi-Z) signal that can be input into an amplifier or effects pedal. I purchased this item to reamp a guitar signal from a mixer into an amp (Guitar > Mixer > ART Dual RDB > Amp). I don't think USPTO reviews the claims as carefully as they should. Patenting obvious circuits, or circuits which are already disclosed in prior art, is not unheard of-just ask Mesa-Boogie, they've done it. My circuit, Jensen's circuit, and probably twenty other possible variations should work just as well. No need to build it as shown and risk violation of patent. I doubt there's any magic in the "official" ReA. This should give you plenty of signal for the guitar amp.Īs I stated on the other messageboard-thus incurring the wrath of J.C.-it's a simple problem with a fairly obvious solution. I assumed +4dBm -40dB pad +16dB for transformer should give youĨ6mV across the pot. Since you need to throw away levels in this application the connection of 1:3.5 may work better for this transformer. And when artists are happy, they perform better. Warning any transformer may need the termination resistor to get best square wave response. By converting the signal, the wireless system sounds smoother and more natural. Wire it as a 1:7 stepup with High Z going to the guitar amp through the output pot. If you assume a high quality DI transformer like the Lundahl L1530 (to simulate a guitar speaker roll off above 5Khz). If you need a hot output for reamping heavy guitar tones, or you want a high fidelity way to reamp vocals, drums, and anything else through effects pedals, t. XLR connector to a ballanced H pad PAD assume 40dB for now. They will be shipping in about 30 days when supplies come in but we are taking orders on the site now to allow people to be first in the queue. Think like this a "passive DI box backwards". We just pulled the trigger on what will be the final batch of ReAmps, ordering fresh metalwork and fresh custom transformers. US6005950 in the "View Patent Application" box to search for any US patent. General link: Hint Put US before the patent # If you have real Acrobat, open page one and keep adding pages behind page one! Then save the multi page file. It gives you PDF's although one page at a time.
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